Radial Introduces New 500-Series Products at FEA!
Radial has introduced four new 500-series products, including the Submix, Tossover, Chain Drive, and the Powerhouse Rack and Front End Audio is taking order today!
The Radial Submix is an ultra quiet 4 x 1 mixer module designed to fit the 500 series format and enable the studio engineer to combine multiple audio stems such as line level devices and effects together and route them as needed. The Radial Submix 4 x 1 Line Mixer 500-Series Module is also ideally suited for keyboards, samplers and drum machines where these need to be mixed into the audio chain. The design begins with four conveniently located ¼" unbalanced inputs on the front panel. Separate level controls for each input are clearly designated for easy manipulation. These are equipped with Radial's unique dual-gang Accustate circuit that simultaneously sets the input sensitivity and the gain to maximize signal-to-noise. This enables both instrument and line level signals to easily be interfaced without the need for a typical level reducing pad. Following the Radial Workhorse and classic mixer designs pioneered by Neve and SSL, the Submix employs a traditional virtual-earth mix-buss circuit topology. This delivers exceptionally quiet performance even when several Submix modules are combined via the Omniport mix-buss input.
The single-space Submix may be used alone, or doubled-up for full stereo operation. When used with a 3-slot Radial Powerstrip, you can instantly assemble a 12 x 1 keyboard mixer for live use. With a full-blown Workhorse, you can go as far as building a 32x2 analog summing mixer or combine various modules to create unique multi-band effects. The Radial Submix is an innovative studio tool designed to manage audio signals and open the door to creative new patching options.
The Radial Tossover Variable Frequency Divider 500-Series Module is a unique 500 series module that enables you to frequency-divide the audio signal path into two stems and process the high and low frequencies separately. This enables parallel processing whereby one could, for instance, process a vocal track by adding distortion and presence to the high-end while leaving the low frequencies unaffected. The design begins with separate low-pass and high-pass filters with variable frequency and amplitude controls for each range. These are connected in series and can be used separately to split off either the bass or treble regions or used together to create a band-pass filter to enhance the mid range. This is augmented with a choice of 12dB, 18dB or 24dB per octave slopes that let you apply subtle filtering on instruments to gently smooth things out or apply a more radical filter at the cut-off frequency for more intense effects.
Either filter may be accessed via the 500 series power rack’s XLR output by assigning a rear-mounted slider switch. Using the Omniport on a Radial Workhorse lets you take things a step further by allowing each frequency range to be processed separately and auditioned simultaneously. This, for instance enables you to split a bass track and process the low frequency stem using a compressor while processing the high frequencies with an effect like a tube distortion pedal. You would then mix the two stems together to create new and exciting effects. The Radial Tossover is an innovative module that opens the door to creative options never before realizable in the 500 series world.
The Radial Chain Drive Line Level Distribution Amplifier is an innovative 1x4 'distro' module designed to fit inside the popular 500 series rack format. Once connected, it enables the engineer to send an audio signal to various processors, effects or remote audio systems simultaneously as a means to create innovative signal paths. The design is simple and easy to use. One connects to the module via the power rack's rear panel XLR input which then feeds the four corresponding ¼" TRS outputs on the front panel. The unique circuit design enables both balanced and unbalanced signals to be used while also accommodating unbalanced stereo sources. Those with a Radial Workhorse may connect to the Chain Drive via the XLR, ¼" TRS input or D-Sub. Designated as an unbalanced input, the Chain Drive's Omniport input automatically converts the unbalanced signal to a balanced line so that it can then feed other 500 series modules. Applications include sending a pre-recorded track to multiple dynamic processors to create multi-band compression, feeding a variety of effects processors simultaneously and splitting the signal to feed various guitar amps and pedals. Each TRS signal path may also be used to distribute a stereo signal such as a CD or iPod and feed it to four stereo destinations. The Chain Drive is a unique tool designed for creative engineers who are looking to expand the sonic landscape by adding more routing flexibility than ever before!
The Radial Workhorse Powerhouse 500-Series Rack is a 10 module 500 series power-rack designed to accommodate both older and newer 500 series modules and provide the studio with maximum density in a standard 19" rack frame. The design begins with heavy 14 gauge steel construction and baked enamel finish for maximum shielding against noise and greater durability when subjected to road use. An 'easy glide' slider tray makes it painless to align the PCB connector to the 15 pin card edge receptacle when swapping modules. Once connected, the rear panel sports a standard array of XLRs to connect to and from the workstation or mixer. This is augmented with a series of ¼" TRS connectors that enable cross-patching and open the door to the excitement of parallel signal processing. Instead of having to hard patch modules together using a cable, the Powerhouse incorporates an innovative feed switch that instantly connects the signal to the adjacent module. This makes building signal chains quick and eliminates the need for extra cables. And unlike older racks that require soldering when modules are used in stereo, the Powerhouse is equipped with a stereo link function that takes care of the task with a simple slide of a switch. The Powerhouse boasts a 1600 milliamp power supply that lets you share the power as needed. This means it can deliver 300 milliamps to your two tube preamps and still have over 1000 milliamps left in the pool!
The Radial Submix is an ultra quiet 4 x 1 mixer module designed to fit the 500 series format and enable the studio engineer to combine multiple audio stems such as line level devices and effects together and route them as needed. The Radial Submix 4 x 1 Line Mixer 500-Series Module is also ideally suited for keyboards, samplers and drum machines where these need to be mixed into the audio chain. The design begins with four conveniently located ¼" unbalanced inputs on the front panel. Separate level controls for each input are clearly designated for easy manipulation. These are equipped with Radial's unique dual-gang Accustate circuit that simultaneously sets the input sensitivity and the gain to maximize signal-to-noise. This enables both instrument and line level signals to easily be interfaced without the need for a typical level reducing pad. Following the Radial Workhorse and classic mixer designs pioneered by Neve and SSL, the Submix employs a traditional virtual-earth mix-buss circuit topology. This delivers exceptionally quiet performance even when several Submix modules are combined via the Omniport mix-buss input.
The single-space Submix may be used alone, or doubled-up for full stereo operation. When used with a 3-slot Radial Powerstrip, you can instantly assemble a 12 x 1 keyboard mixer for live use. With a full-blown Workhorse, you can go as far as building a 32x2 analog summing mixer or combine various modules to create unique multi-band effects. The Radial Submix is an innovative studio tool designed to manage audio signals and open the door to creative new patching options.
The Radial Tossover Variable Frequency Divider 500-Series Module is a unique 500 series module that enables you to frequency-divide the audio signal path into two stems and process the high and low frequencies separately. This enables parallel processing whereby one could, for instance, process a vocal track by adding distortion and presence to the high-end while leaving the low frequencies unaffected. The design begins with separate low-pass and high-pass filters with variable frequency and amplitude controls for each range. These are connected in series and can be used separately to split off either the bass or treble regions or used together to create a band-pass filter to enhance the mid range. This is augmented with a choice of 12dB, 18dB or 24dB per octave slopes that let you apply subtle filtering on instruments to gently smooth things out or apply a more radical filter at the cut-off frequency for more intense effects.
Either filter may be accessed via the 500 series power rack’s XLR output by assigning a rear-mounted slider switch. Using the Omniport on a Radial Workhorse lets you take things a step further by allowing each frequency range to be processed separately and auditioned simultaneously. This, for instance enables you to split a bass track and process the low frequency stem using a compressor while processing the high frequencies with an effect like a tube distortion pedal. You would then mix the two stems together to create new and exciting effects. The Radial Tossover is an innovative module that opens the door to creative options never before realizable in the 500 series world.
The Radial Chain Drive Line Level Distribution Amplifier is an innovative 1x4 'distro' module designed to fit inside the popular 500 series rack format. Once connected, it enables the engineer to send an audio signal to various processors, effects or remote audio systems simultaneously as a means to create innovative signal paths. The design is simple and easy to use. One connects to the module via the power rack's rear panel XLR input which then feeds the four corresponding ¼" TRS outputs on the front panel. The unique circuit design enables both balanced and unbalanced signals to be used while also accommodating unbalanced stereo sources. Those with a Radial Workhorse may connect to the Chain Drive via the XLR, ¼" TRS input or D-Sub. Designated as an unbalanced input, the Chain Drive's Omniport input automatically converts the unbalanced signal to a balanced line so that it can then feed other 500 series modules. Applications include sending a pre-recorded track to multiple dynamic processors to create multi-band compression, feeding a variety of effects processors simultaneously and splitting the signal to feed various guitar amps and pedals. Each TRS signal path may also be used to distribute a stereo signal such as a CD or iPod and feed it to four stereo destinations. The Chain Drive is a unique tool designed for creative engineers who are looking to expand the sonic landscape by adding more routing flexibility than ever before!
The Radial Workhorse Powerhouse 500-Series Rack is a 10 module 500 series power-rack designed to accommodate both older and newer 500 series modules and provide the studio with maximum density in a standard 19" rack frame. The design begins with heavy 14 gauge steel construction and baked enamel finish for maximum shielding against noise and greater durability when subjected to road use. An 'easy glide' slider tray makes it painless to align the PCB connector to the 15 pin card edge receptacle when swapping modules. Once connected, the rear panel sports a standard array of XLRs to connect to and from the workstation or mixer. This is augmented with a series of ¼" TRS connectors that enable cross-patching and open the door to the excitement of parallel signal processing. Instead of having to hard patch modules together using a cable, the Powerhouse incorporates an innovative feed switch that instantly connects the signal to the adjacent module. This makes building signal chains quick and eliminates the need for extra cables. And unlike older racks that require soldering when modules are used in stereo, the Powerhouse is equipped with a stereo link function that takes care of the task with a simple slide of a switch. The Powerhouse boasts a 1600 milliamp power supply that lets you share the power as needed. This means it can deliver 300 milliamps to your two tube preamps and still have over 1000 milliamps left in the pool!
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